--- aliases: --- ## Love-Lore - Artist(s): [[Deerhoof]] - Release Year: [[2020]] - Ostensible or actual genres: [[indie rock]], [[experimental pop]], [[noise]], [[punk rock]], [[experimental]], [[indie]], [[rock]] Notes: The world needs more avant-garde remixes of Knight Rider #album #👍 #newbrain %% ## Tracks: | No. | Title | Featuring | Notes | | --- | ----- | --------- | ----- | | | | | | %% ## Bandcamp Copy From the Bandcamp page: The Gains of Love-Lore’s Lost Futures > Everyone knows that phonography changed everything. If I were to point to the specialness of the late 1960s, it would not be to suggest that earlier moments of phonographic history—such as the global flood of proletarian and rural musics that rose up and swirled endlessly on wax in the years after 1925—were any less significant to the experience of the twentieth century, but rather simply to notice the cultivation of a new kind of listening, one that moved across the field of genre with relative ease and enthusiasm, and that—most importantly—put that stereo jockey into a new kind of relation to the “fine art” music that might find its way onto the platter: collegiality, equality, criticism. > There were plenty of precursors, of course (I think immediately of Charlie Parker’s brilliant interpolation of Stravinsky’s “Firebird Suite” into his solos on “Koko”), but a series of interlocking transformations—including the massive expansion of public education in the US and the UK, the perfection of vinyl as a medium and the transistor as a technology, the rapidly increasing bloat of the entertainment industries, the decolonization process in Africa and Asia, and the new social movements in what used to be called the First World—undermined the authority and permanence of those masters of the... more > credits released September 28, 2020 > Love-Lore tracklist by song/artist: [[Ornette Coleman]] • IN ALL LANGUAGES J.D. ROBB • EXCERPT FROM SPATIAL SERENADE VOIVOD • MACROSOLUTIONS TO MEGAPROBLEMS EARL KIM • EARTHLIGHT STU PHILLIPS • KNIGHT RIDER RAYMOND SCOTT • OHIO BELL MAURICIO KAGEL • MUSIC FOR RENAISSANCE INSTRUMENTS EDDIE GRANT • ELECTRIC AVENUE GARY NUMAN • CARS KARLHEINZ STOCKHAUSEN • KONTAKTE THE BEACH BOYS • WONDERFUL GERALD FRIED • STAR TREK: BALANCE OF TERROR [[PAULINE OLIVEROS]] • ALL FOURS PAUL WILLIAMS • RAINBOW CONNECTION JAMES TENNEY • FOR ANN (RISING) SILVER APPLES • OSCILLATIONS THE POLICE • DRIVEN TO TEARS KRAFTWERK • WE ARE THE ROBOTS JOHN WILLIAMS • CLOSE ENCOUNTERS OF THE THIRD KIND MORTON FELDMAN • PATTERNS IN A CHROMATIC FIELD [[SUN RA]] • THEY DWELL ON OTHER PLANES PARLIAMENT • UNFUNKY UFO ASHA PUTHLI • SPACE TALK ENNIO MORRICONE • OTTAVE COMANDAMENTO: CORRI VELOCE MILTON BABBITT • HOMILY FOR SNARE DRUM THE B52S • SONG FOR A FUTURE GENERATION SOFIA GUBAIDULINA • MECHANICAL ACCORDION VINICIUS DE MORAES & BADEN POWELL • O ASTRONAUTA DIONNE WARWICK • DO YOU KNOW THE WAY TO SAN JOSE? DAVID GRAEBER • OF FLYING CARS AND THE DECLINING RATE OF PROFIT DEREK BAILEY • IMPROVISATION WILLIAM HANNA & HOYT CURTIN • THE JETSONS ANTHONY BRAXTON • C-M=B05 GYORGY KURTAG • SHADOWS FOR CONTRABASS SOLO ERIC SIDAY • THE PERKING COFFEE POT IGOR STRAVINSKY • VARIATIONS ALDOUS HUXLEY IN MEMORIAM CAETANO VELOSO • PULSAR LUIGI NONO • UNO ESPRESSIONE KRZYSZTOF PENDERECKI • THRENODY FOR THE VICTIMS OF HIROSHIMA JOHN CAGE • EMPTY WORDS GEORGE BRECHT • DRIP MUSIC THE VELVET UNDERGROUND • ALL TOMORROW'S PARTIES > LAURIE ANDERSON • EXAMPLE #22 > Engineered by Philip Weinrobe at Rivington66